Balance, Karate and Truth

Balancing On One Foot

On Saturday, Senpai DT led class. Though it was a small class due to the holiday weekend, it was challenging. She focused on both stretching and balance.

For balance, she had us do a series of kicks on first the right, then the left. During the kicks, you are not to put your kicking foot down but go straight from one to the next. Also, we completed each kick, so you could tell one kick from another. We also focused on foot position.

For example, for the first exercise, we did a kin geri (low groin kick, with toes pointed), followed by a mae geri (front kick using the ball of the foot), yoko geri (side kick using the “knife-edge,” or side of the foot with the big toe pulled back), followed by an ushiro geri (back kick, using the heel.) She also had participants name kicks, then had us do a new series of kicks, on both sides, based on the order that we named. Over Zoom, she spotlighted each student and gave each person a chance to demonstrate their mastery of the techniques.

Balance in a Narrow Space

I found that exercise particularly challenging–definitely good for balance, strength and precision. It did not help that I was trying to perform the kicks in a narrow area of our dining room, sandwiched in between the dining table and a shelving unit full of kitchen equipment!

Normally we do karate outdoors. Over the Thanksgiving holiday, it was cooler than usual. We also had a packed schedule. Short on time, I started the Zoom class on a computer normally used for monitoring. That computer has a larger screen, but the space where it is located is not ideal for a workout. That day, I had a number of activities and errands planned. I was just happy to be able to squeeze a few minutes out of my day for karate.

Balancing Health Against Other Obligations

Readers may have noticed I missed a weekend updating this blog. If you are a weekly visitor, I apologize. Last week, I experienced the return of an old nemesis: tendonitis. As a digital artist, I spend considerable time on the computer, even when I am not housebound and forced to do everything over Zoom. My work-life is spent in front of a monitor, using a mouse to perform fine-motor motions. When we’re refining moving geometry for a shot in a television show or film, we will often need to select and change the positions of small components, or vertices. Using these, artists refine the shapes seen on screen over time. Unfortunately, doing this work without taking appropriate breaks, for too long, can lead to tendonitis.

Three weeks ago, I started a new job. The company, itself, requires employees to take appropriate breaks and even puts those breaks into the company calendar. During the lunch hour, for example, you are not to contact a fellow employee through chat, email or phone calls. (Since we all work from home right now, walking over to someone else in the kitchen, at a desk or in a common area is not an option.) The company wants to avoid burn-out and injury, and has implemented appropriate measures for this.

Consequences for Lacking Balance

At my last job, I’d slowly transitioned from doing less artist work to more coding. At this new job, I was getting to do shots–so back to primarily artist work. However, I feared I was rusty at the work and too slow. So, I ignored required breaks. Anxious to get the work done both well and quickly, I worked through lunch. I took fewer breaks. Since I’m working from home, on the honor system, there was no one to chastise me or remind me to take those needed breaks. No one, but me, knew I was not taking those breaks. The result? Within a week, my tendonitis was back.

I paid a price for letting fear and insecurity get the best of me: pain. The tendons at the base of my right hand, close to my wrist, swelled visibly. They are larger than those of my left. I sometimes experienced twinges while getting dressed, or doing the dishes. During the week of Thanksgiving, I switched to doing anything I could with my left hand. I even did my ten minute writes using my left hand. For mousing on the computer, I used my left hand.

Years ago, when I had a lot of issues with tendonitis, I habitually switched between my left and right hands, so this is not the feat that it sounds. I even spent time trying to figure out the optimal time to spend using a particular hand, and landed on a week. Once the swelling in my right hand disappears, I will return to this.

Karate Emphasizes Balance

Photo taken on camper trip, July 2019

In karate, we normally do exercises on both sides. We want to improve strength on our weak side, and flexibility on both sides. Alternating the left and right sides is simply part of kihon. Many katas also require the karateka to perform a series of motions on both sides. During ren raku or syllabus, we also coordinate punches on the same side as a kick or the “leading” leg (the leg forward), but will also practice coordinating punches on the opposite side of a kick or leading leg. Balance in strength and dexterity is built into the study of karate.

House of the Search For Ultimate Reality:
A Kyokushin Dojo

I feel a bit ashamed that I needed to re-learn the lesson of balance through the pain of an avoidable injury. As an imperfect human, however, with plenty of room for enlightenment, I also need patience with myself. When fear comes, I need to ground those fears in reality.

One defines Kyokushin as “ultimate truth.” In our dojo under Sensei R., we prefer the more Buddhist-based translation of “ultimate reality.” The idea is simply that we want to understand reality, or truth as reality. We assume that reality, because of the tricks of an individual’s mind, or habits or culture (including unconscious bias), is not obvious. Seeing what is real takes time, thought and effort.

Putting Karate’s Teachings to Work

How does this apply to me and my work situation? Well, obviously by having prescribed breaks, along with frank discussions about burn-out at work, the particular group of people I work with now are concerned about balance. On the day before Thanksgiving, our supervisor asked at a meeting, “How are you feeling? Who is burned out? Please be honest with me. I care about each of you.” Each of us answered that question. I punted, pointing out I was still in the “honeymoon phase” and hadn’t been with the company long enough to feel burned out. This was true, but of course I didn’t mention the tendonitis. Of course, this company wants employees to work hard and be focused. However, they do not want to over-work anyone and certainly do not want anyone injured or burned out. That is clear to me now.

I was not seeing that reality. Instead, I saw my past: I remembered people who, over the years, had said I needed to “pay my dues,” or who’d told me I had no business trying to work in visual effects while raising children. The schedules simply didn’t permit you to be a good parent, according to one friend. So, instead of hearing what was actually said, I heard ghosts, along with my own fears.

Author: an Ichi Kyu

I study Kyokushin karate at a dojo in Burbank. I don't yet have permission to say more than this about my dojo. I am also a mother of two, both of whom have studied Kyokushin karate a year longer than I. They are instructors! My husband created the art posted on this site. I have his permission to use it, but he expressly asked me not to credit him as the artist. He's moved on to other styles, and doesn't particularly want a public association with this piece. I love this artwork, personally. And me? I work full time as a cloth and hair simulation artist, as well as a python coder, in the visual effects industry. I have roughly sixteen years experience in film and about four in television. I am 50; I suppose my decision to attempt the black belt test, along with creating this blog, represents my mid-life crisis. Wish me luck!